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New Mexico 17 Years After 

Evoking













































                                                                                                                                                                                                                                                                                         
















 



















































































                                                                                        

Evoking, Copenhagen 2012







 
 
Primavera Nero, ink and acrylic on canvas, 80 x 80 cm






Bone Black, ink on canvas, 80 x 80 cm






Bucky Fuller, ink and acrylic on canvas, 80 x 80 cm







Gebelein, ink and acrylic on canvas, 80 x 80 cm






Twin, ink on paper, 40 x 40 cm







Faces and names I, ink on paper, 40 x 40 cm






 
Faces and names II, ink on paper, 40 x 40 cm
                                                                    

Evoking is first and foremost a series about painting. Evoking can mean “to develop” as in developing photos in a darkroom, but it can also mean to evoke spirits and have connotations of the supernatural and uncanny. Apart from the formal aspect it is about fractal theory and the Fibonacci system, how patterns and images reoccur in seemingly different places. In macrocosms’ and microcosms everything looks the same. The Evoking paintings might as well be tiny cells in a Petri dish as well a picture from outer space. Images from inside of the human body reoccurs in astronomic phenomena. It adds a layer to the meaning of the Evoking series that I am a human (a physical presence) existing within a body in space and making those forms; placing myself in the universe making objects that look both like the physicality inside me and the physicality surrounding me. In that sense, it does not matter if one view the world as a natural scientist, atheist, agnostic or religious creationist – what is interesting is systems exists in apparent chaos.









All Contents © Marie Irmgard 2018